Fri Jul 27, 2007 12:35 am by Tawakalna
in 1977 I won an art competition in our local rag and the prize was two tickets to see Star Wars at the premiere for the North-West in Manchester. I took me gran, she didn't get much in the way of days out. I quite enjoyed it at the time, but when I saw it again a few years later on the telly, I thought it was wubbish. And I still don't like it.
TESB and ROTJ are different matters though, I'll happily watch those anytime. None of those new ones though, they're dreadful.
Interesting though that "changed the world" comment. that's actually true in various ways. if we go back in time with Uncle Taw's Memory Machine, to the mid 1970's.....
"aw mum not flares again, they're kak!"
"shut up and don't be cheeky, now off you go to church"
"don't make me walk there the skinheads hang around the precinct"
"be quiet I'm missing Waggoner's Walk"
well maybe not THAT 1970s memory! Instead let's look at cinemas and "cinema culture" of the time; cinemas were grotty dingy dives, mostly aging leftovers from the golden age of the 1930s and 40s, now smoke-filled hovels inhabited by courting couples and dirty old perverts in raincoats. Film fare on offer was dominated by big-budget disaster, police/gangster, and war films, the occasional Disney offering which often wasn't good (eg Cat from Outer Space) Children's Film Foundation nonsense (anyone remember Billy's Time Bike?) and sub-porn rubbish from the likes of Russ Meyer. About the only spark of originality at the time were the police and detective dramas, such as The French Connection, The Godfather, Serpico, and Taxi Driver. Being kids we could only really get into the Disneys and our Saturday morning matinee which was mostly cartoons, an educational film about pottery in the Cotswolds, and episode 23 of some foreign series about Achmed and the 37 Thieves of Marrakech (or pirates, or smugglers - the plots were largely interchangeable.)
Into this dearth of dullness and the strict limitations upon what we could watch - bear in mind that there was none of the choice of today, it was a strict kids v adults split, and kids films really lacked any production effort in the main, moronic plots, bad acting, just time-fillers really, and with only 3 channels on telly (BBC1, BBC2, and ITV, and lots of families like ours still had black and white sets!) there wasn't much in the way of entertainment - along came these tales of this fillum taking America and the rest of the world by storm. Spaceships, lasers, adventure? we got some few minutes of trailers and it was like nothing we'd seen before, huge spaceships, exotic costumes, believable special effects that didn't look like extras in badly-fitted suits or cheap fireworks or bits of Airfix kit on wires. So in that sense, Star Wars was ground-breaking at the time (although as I was later to discover, it actually wasn't ground-breaking at all, everything in Star Wars had been done before right down to the plot.)**
(** I know the SW fanboys will take exception to that but I'm happy to prove my point!)
However, it certainly changed the world of film and television in a major way. Lucas had hawked his draft of the script round every producer and picture company in Hollywood and been rejected until Fox gave him a second chance. No-one, including Fox, expected Star Wars to become the multi-billion phenomenon that it rapidly turned into, and all those producers who turned it down must have been hammering their heads against the wall in frustration! In response there was a rash of more-or-less quickly knocked off copies, sci-fi adventures of varying quality, most of which you'll never see again, but some did do well and gave rise to others in their turn. Paramount rejected Star Wars, but once it had become big, they decided to brush off their old Star Trek scripts from the 60's and see if they couldn't cobble a film together. Having the sense to get a decent novellist to write the screenplay, and a director who went for 2001-style grandeur rather Star Wars space opera, Star Trek: the Motion Picture wasn't arf bad, and then gave rise to it's own sequels and then the various series. So it would be true to say that without Star Wars, or rather the commercial success of Star Wars, Star Trek would have remained as just some old episodes from the 1960s being constantly repeated, no films, no TNG, no DS9, no Voyager, no games, no ST:Enterprise (that wouldn't have been a bad thing though!)
Columbia offered up Battlestar Galactica which got heavily panned as a Star Wars carbon-copy, but even at the time I felt it was more than that - I'd seen Star Wars carbon copies and BSG had an epic scale and potential for depth that was far more than a mere copy should have. Clearly I wasn't the only one who thought so, hence why it's been so brilliantly "re-imagined" in recent years.
I think that I may have said this before but original BSG was something of a proving ground for several people who were later to go on and become key players in sf productions through the 80s and 90s. I think it would be fair to say that if there had been no Star Wars, then there'd have been no BSG, and no BSG means that there'd have been no Babylon 5 or DS9 (in all probability) Being a sad kind of Mullah who reads credits, I notice these things.
So yes, Star Wars "changed the world", and it also introduced the concept of mass-merchandised action figures (ok there were others but this was the first time anyone really noticed)
Incidentally, if anyone has ever seen or gets the chance to see the 1976 film "Battle of Midway" then pay attention to the score - John Williams wrote it and it's almost identical to his score for Star Wars a year later! I remember buying the double album LP soundtrack and reading the included brochure in which Williams discussed his creative process for composing the soundtrack, not once mentioning that he'd mostly just rehashed his "Midway" score. No wonder he and Lucas worked so well together!
Edited by - Tawakalna on 7/28/2007 7:35:27 AM