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Oscars..

This is where you can discuss your homework, family, just about anything, make strange sounds and otherwise discuss things which are really not related to the Lancer-series. Yes that means you can discuss other games.

Post Tue Jan 23, 2007 2:02 pm

Oscars..

I'm actually quite excited about this years Oscar nominations. For once it's not just the incestuous Hollywood pat-on-the back glitz fest it usually is, for there are a lot of very worthy productions up for awards.

Foremost amongst these for me are "Letters from Iwo Jima" dir by Clint Eastwood, which I haven't seen yet, and "Pan's Labyrinth" dir by Guillermo del Toro, which I saw last week. "Letters from Iwo Jima" is a big-budget production that tells the story of the battle from the Japanese p.o.v. I'm a great admirer of Eastwood's directorial abilities ever since Pale Rider and Unforgiven, which i thought was magnificent. although the unashamed and literal flag-waving of Flags of Our Fathers really turned me off in a film which was billed as anti-war by virtue of it's graphic realism. "Letters from Iwo Jima" from what I've seen appears to be Eastwood at his very best, showing a seminal event from the losers perspective and giving Western audiences an insight into the mind-set of the then very much embattled Japanese Imperial Army.

"Pan's Labyrinth" (El Labirinto del Fauno) is a very different affair, blending political comment, history and magic into a beautiful and tragic film where you are never sure if the events are real or imagined by the main protaganist, a rather sad and lonely little girl. It's set in late WW2 in Fascist Spain, where a brutal and sadistic officer in Franco's regime is conducting an anti-insurgency campaign against remaining Republican guerillas in the hills. He takes a new wife who has a daughter by a previous marriage, and treats the child quite increasingly harshly. the girl discovers a complex of ancient ruins which she sees as a magical portal to the undeground Kingdom of the Faires, although only she can see them; a faun gives her tasks to perform and tells her she is the lost daughter of the Fairy King who they've been waiting for for thousands of years, but she can only return home if she completes these tasks and proves she still has a fairy soul. right to the end there is no proff that anything she sees or does has any existence outside of her own escapist imagination. it's beautifully made with incredible artwork and animation, and as a visual treat I can't recommend it highly enough.

There quite a few other excellent productions up for awards, but personally these two stand out for me.

Post Tue Jan 23, 2007 2:55 pm

I've heard a lot of good things about Pan's Labyrinth, FilmThreat.com had it as their no.1 of 2006 and they're usually on the money with their picks. Unf I haven't had the opportunity to see it as it didn't screen here in adelaide as our viewing public can't handle anything more intellectual than junk comedies like 'Little Man', so i'll have to catch it on dvd.

Personally i'm rooting for Little Miss Sunshine in the best film category, that has been the standout for me for all the films i've seen this year. And Helen Mirren should take home a gong for The Queen, she was brilliant in that. They are probably my two hopefulls, i'll be satisfied with that.
Oh and it would be brilliant to see Al win one for An Inconvenient Truth, just for pure comedic entertainment "I am winning an award, and you are hearing me talk."

Post Tue Jan 23, 2007 3:17 pm

I too, intend to see PL in the near future, but I may wait for the DVD; cinemas are always full of children and idiots (which are not always the same thing ).

Post Wed Jan 24, 2007 6:43 am

I haven't seen it yet, but anyone think Children of Men is Oscar worthy?

And I don't pay close attention to this so I don't know if time's already up for these guys, but even if no one else agrees with me, I definatly think Jonny Depp and Bill Nighy deserve one for Jack Sparrow and Davy Jones.

Post Wed Jan 24, 2007 11:15 am

if I have one complaint about Pan's Labyrinth, it's that the character of Captain Vidal isn't developed more. You get clues to his sadism and self-loathing, such as symbolically cutting the throat of his own reflection when he's shaving, and references to his father, a famous General. Despite his vicious nature, he's undoubtedly physically brave, almost to the point of courting death in battle, and he shows no fear when captued by the partisans. But largely we're left to guess at the experiences that could have made him this way. Also we aren't given anything more than the odd hint of his relationship with Mercedes the housekeeper, as he seems to have an inferred liking for her, and only turns on her when her collaboration with the partisans and thus betrayal of him is proven beyond all doubt.

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